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The art of wooden inlay, or marquetry, was
born in Tuscany during the Renaissance. It consisted in creating geometric
or figurative designs on furniture, by preparing spaces into which were
glued small pieces of wood of various colours and types. In the Neoclassical
period, the cabinet-makers were capable of works of great beauty and value,
through developing their exceptional ability in placing these pieces of
wood. They were inserted into a background of a precious material, in
order to create figures or ornamental designs. In Italy, it was the neoclassical
furniture-makers from Lombardy and Piedmont who continued producing these
works until well into the nineteenth century. Out of all the Neoclassical
furniture-makers, the indisputable 'Prince of Marquetry' was the cabinet-maker
Giuseppe Maggiolini. This man distinguished himself making chest of drawers,
cabinets and small tables, on which he himself composed the ornamental
designs, or in collaboration with the celebrated artists of the times
such as Appiani, Levati and Piermarini. The decorations they made included
flowers, figures and landscapes, that drew acclaim from far and wide for
their exceptional inlay techniques. Maggiolini created his most precious
items of furniture using a palette of more than eighty different kinds
of wood. The Lombardy aristocracy of the times competed amongst themselves
to possess a work created by this artist, or at least and imitation produced
by the other marquetry workshops. Our company has continued to produce
hand-made marquetry up to the present day. This work adds value to furniture,
in respect of the tradition.
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Once the various pieces that make up the
inlay have been cut to shape some of them are placed in hot sand,the resulting
singeing giving shading and three dimensional effects that are unique
to the particular item. This process ensures that the floral motifs and
scenes come to life in the surface of our products, the fruit of patient
and meticulous craftsmanship.
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